'Radio Art' Anthology CD Janek Schaefer 1996 - 2026

In the 1960’s, my father towed WWII radar across the Sahara, refining radiowave signals to track wing beats of insects etc. Thirty years later I began working with radiowave signals, when seeking a way of broadcasting into the inner spaces of the cars zooming all around the ultra urban location of my new ‘Memory Museum’ [1996].

This magical ability to send sound through space, and thus create an expanded sonic place, appealed to me. In researching radio as a sound artist, these works sought to explore more, what ‘art with radio’ could mean.

I use very short range transmitters, in a variety of ways, broadcasting to:

floating radio-headphones suspended under a cloud of red heart helium balloons, playing sounds of all the women in my expanded family singing the word loooooove [Love Song 2003];

or using a sonic treasure map to hunt religious celebration broadcasts hiding within the superb Colourscape sensory inflatable space [Secret Service 2010];

or performing with transmitters live at Cafe Oto [Radio Play 2014];

or working with 100 international sound recordists to capture the calmness without us present, broadcast as a 24/7 radio station [foundsoundscape 2015];

or performing to an audience holding radios as speakers in a church, gallery, and concert halls [Phoenix & Phaedra 2009];

or forming a Robert Wyatt radio ensemble [Clouds from Cuckooland 2011];

or my first commission for a cinema car radio [CX Symphony 1997];

or inviting 7500 visitors to get in my supermarket motorway of cars, to listen to what lays ahead in our fast-lane living [Asleep at the wheel 2010];
or a tribute to a musician from within my childhood [Coda for John Dankworth 2010];

or sharing the idea we are living like yeast [Imagine a World 2013];

or waking up a chorus of sped up operatic warblers [Aerial Aria in the aviary 2015];

or forming the versatile ‘Local Radio Orchestra’, which uses up to 24 transmitters, saturating the FM radio dial, within it’s short range, playing a range of commissioned pieces [2011];

and finally ‘Sound Wave’ transmitted the sound of a rainbow, to cars passing my house, arriving and leaving town..

"... that there is unique Art without Ai, original creations, congratulations"

 

 

buy CD or download here >>>

 

1 : Memory Museum 1996 >i>



2 : Interlude 1996 >i>



3 : Love Song 2003 >i>


4 : Phoenix and Phaedra holding patterns 2009 >i>




5 : Asleep at the wheel 2010
>i>



6 Secret Service 2010 >i>


 

7 : Coda for Sir John Dankworth 2010 >i>


8 : Clouds from Cuckooland 2014 >i>


9 : Local Radio Orchestra 2010 >i>



10 : Imagine a World 2014 >i>


11 : Radio Play 2014
>i>


12 : Foundsoundscape 2015 >i>


13 : Aerial Aria in the aviary 2015 >i>


14 : Sound Wave 2026
>i>

 

Janek Schaefer
Narnia, Walton-on-Thames
audiOh! Recordings #61

1996 - 2026

 

buy CD or download here >>>

 

 



 

In the 1960’s, my father towed WWII radar across the Sahara, refining radiowave
signals to track wing beats of insects etc. Thirty years later I began working with
radiowave signals, when seeking a way of broadcasting into the inner spaces of the
cars zooming all around the ultra urban location of my new ‘Memory Museum’ [1996].

This magical ability to send sound through space, and thus create an expanded sonic place, appealed to me.
In researching radio as a sound artist, these works sought to explore more, what ‘art with radio’ could mean.

 

 

 

 

 

 

 

 

I use very short range transmitters, in a variety of ways, broadcasting to: floating radio-headphones suspended under a cloud of red heart helium balloons, playing sounds of all the women in my expanded family singing the word loooooove [Love Song 2003]; or using a sonic treasure map to hunt religious celebration broadcasts hiding within the superb Colourscape sensory inflatable space [Secret Service 2010]; or performing with transmitters live at Cafe Oto [Radio Play 2014]; or working with 100 international sound recordists to capture the calmness without us present, broadcast as a 24/7 radio station [foundsoundscape 2015]; or performing to an audience holding radios as speakers in a church, gallery, and concert halls [Phoenix & Phaedra 2009]; or forming a Robert Wyatt radio ensemble [Clouds from Cuckooland 2011]; or my first commission for a cinema car radio [CX Symphony 1997]; or inviting 7500 visitors to get in my supermarket motorway of cars, to listen to what lays ahead in our fast-lane living [Asleep at the wheel 2010]; or a tribute to a musician from within my childhood [Coda for John Dankworth 2010]; or sharing the idea we are living like yeast [Imagine a World 2013]; or waking up a chorus of sped up operatic warblers [Aerial Aria in the aviary 2015]; or forming the versatile ‘Local Radio Orchestra’, which uses up to 24 transmitters, saturating the FM radio dial, within it’s short range, playing a range of commissioned pieces [2011]; and finally ‘Sound Wave’ transmitted the sound of a rainbow, to cars passing my house, arriving and leaving town..