'Radio Art' Anthology CD Janek Schaefer 1996 - 2026
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In the 1960’s, my father towed WWII radar across the Sahara, refining radiowave This magical ability to send sound through space, and thus create an expanded sonic place, appealed to me.
I use very short range transmitters, in a variety of ways, broadcasting to: floating radio-headphones suspended under a cloud of red heart helium balloons, playing sounds of all the women in my expanded family singing the word loooooove [Love Song 2003]; or using a sonic treasure map to hunt religious celebration broadcasts hiding within the superb Colourscape sensory inflatable space [Secret Service 2010]; or performing with transmitters live at Cafe Oto [Radio Play 2014]; or working with 100 international sound recordists to capture the calmness without us present, broadcast as a 24/7 radio station [foundsoundscape 2015]; or performing to an audience holding radios as speakers in a church, gallery, and concert halls [Phoenix & Phaedra 2009]; or forming a Robert Wyatt radio ensemble [Clouds from Cuckooland 2011]; or my first commission for a cinema car radio [CX Symphony 1997]; or inviting 7500 visitors to get in my supermarket motorway of cars, to listen to what lays ahead in our fast-lane living [Asleep at the wheel 2010]; or a tribute to a musician from within my childhood [Coda for John Dankworth 2010]; or sharing the idea we are living like yeast [Imagine a World 2013]; or waking up a chorus of sped up operatic warblers [Aerial Aria in the aviary 2015]; or forming the versatile ‘Local Radio Orchestra’, which uses up to 24 transmitters, saturating the FM radio dial, within it’s short range, playing a range of commissioned pieces [2011]; and finally ‘Sound Wave’ transmitted the sound of a rainbow, to cars passing my house, arriving and leaving town.. |